A little apropos of nothing… If maturity means disillusionment, acceptance, a “realistic” outlook, or modest expectations, then we are prepubescent. Even so, we’ve made some progress in the past few years. Facts are facts. We no longer leap to the defense of erstwhile idols Simpson (O.J., not Jessica), Cosby, and Gibson. We’ve stopped believing that, in this life at least, we will time-travel to King Arthur’s Court, flatten our stomach, or remove Internet Explorer from our computer once and for all.
We deserve nothing
When we meet a self-proclaimed feminist—we have no idea why this happens—we feel as if we’ve done something wrong and look around to see if anybody noticed… as if we were the one who installed the glass ceiling so you couldn’t get the promotion you so richly deserved and we made it difficult if not impossible for you to be elected president… and, as we are writing this in September 2016, we would advise you, private citizen H. Clinton, against claiming any merit whatever in the result of the November 8 election. You will win, but it will not be a victory, any more than if you had competed against a species of invasive but nondescript dryland shrub. It will not be a tribute to you, or a testimony to the dogged determination of the American woman, or even the inexorable result of human evolution. An outcome in your favor will mean nothing more than that the citizens of our great nation chose you over Cheez-Its. Remember this when you’re drafting your acceptance speech.
The feminists we like and respect are outnumbered by those who make us want to cut and run, or to curl our lip if we thought we could pull it off. Has it escaped your notice that some of the most vociferous protesters are often women bemoaning the paucity of female directors of high-budget Hollywood films—women, it must be said, who have individually made more money in a single day’s work than we have made since the Eisenhower administration? Is it any wonder that we lack sympathy for such celebrities, when once upon a time they defined career success as being cast as the younger of the two women in a Dove-cleansing-bar commercial?
This is not to say that women, as a category, have no legitimate grievances. But golly, if it’s not one thing it’s twenty. We must be very careful when claiming rights. If we got what we deserved—any of us, male or female, infant or octogenarian—we’d all be living in daub-and-wattle huts competing with rodents for wedges of moldy cheese.
We have a memory of a Saturday afternoon when we were not yet thirty, waking from a brief nap and lying very still because a ray of sun illuminating a few strands of hair that had fallen across our eyes had made a tiny miracle of rainbow, and we had never seen anything so beautiful, not in any mountain meadow or marble palace, not even at our favorite scenic outlook, a knoll in the wooded bluffs above a bend in the Missouri River. Our small, personal rainbow should have served as a reminder to wash our hair, since it was almost certainly a layer of oil that had dispersed the sunlight so gloriously. But at the time we could only be grateful for color and light and stillness, and the feeling has never entirely gone away.
And by the way, what’s with the suffix –ist, a half-second’s sibilance that makes you a monster or a devotee? If you’re a sexist, racist, or ageist, you’re to be deplored. If you’re a narcissist or hedonist, you’re self-absorbed. Botanists, philologists, and philatelists are specialists. But if you call yourself a feminist, then you are… what? An admirer of or champion for women? Nothing wrong with that. We’d still rather be a cowgirl.
The suffix –ist … is a word-forming element meaning “one who does or makes,” also used to indicate adherence to a certain doctrine or custom, from French -iste and directly from Latin -ista (source also of Spanish, Portuguese, wetalian -ista), from Greek agent-noun ending -istes, which is from -is-, ending of the stem of verbs in -izein, + agential suffix -tes. —dictionary.com
Solecisms by the dozen
So this evening we went to hear the novelist Geraldine Brooks talk about writing books. Her voice skritched, as one’s voice might when it is put to overuse on a lecture tour, but she was articulate and funny and we minded only a little that she is considered a “women’s author” and that among the thousand people in the audience there were maybe four men. We settled into our seat, anticipating a pleasant and informative ninety minutes—not that we deserved to enjoy ourself, or deserved not to, but we did indeed expect to be happily entertained, and we guess it’s fair to say that we got what we deserved.
She gave a concise, amusing account of her journalism career and the horrors, dangers, conquests, and rejoicings she experienced on five continents. She turned to fiction as a way of lending her voice to women who lived in times and places that denied them self-expression. It was as Ms. Brooks was relating the experience of one such woman—a character in her third or fourth novel—that the fall from grace occurred, with, we would almost say (were literal precision not essential here), an audible thud. The woman was, Ms. Brooks said—these were her exact words—waxing eloquently.
If you are not a well-known author or a serious student of the English language, you may be excused for not grasping the enormity of the phrase waxing eloquently. My mother detested polishing our hardwood floors—something virtually required of all middle-class women of her generation—and she could be quite eloquent on the subject, to the point where my father felt the need to close the door to prevent her eloquence from alarming her young children.
But Geraldine Brooks’s character was not engaged in polishing the floors, the furniture, or the family car.
Often, people who speak of waxing eloquently have heard the phrase “wax eloquent” and mentally added –ly because verbs are modified by adverbs, right? But in this case, wax is what is sometimes called a linking verb, which means that the verb is joining two things that are more or less equal:
My word is my bond. Word = Bond
The song was an anthem. Song = Anthem
The sun appears unusually bright. Sun = Bright
You look nice today. You (that is, your appearance) = Nice
The night was becoming stormy. Night = Stormy
Uncle Steve is feeling poorly. Steve = Poorly. Not all modifiers ending in –ly are adverbs. Poorly, wily, owly—all adjectives.
The speaker waxed eloquent. Speaker = Eloquent
A modifier used with a linking verb is not an adverb describing a verb, it’s an adjective describing the subject.
Wax means grow or become when we’re talking about the moon. A waxing moon is “growing,” getting plumper every night until it’s full. After that, it starts to narrow, or wane. Likewise, when a speaker “waxes eloquent,” he or she is gradually becoming more and more articulate.
Writers know this. It’s taught in How Not to Write Stupid 101, where they also learn to not say “Hopefully, it won’t rain” or “The year is comprised of four seasons.” So at first we thought that our speaker was making a little joke. But she had been funny and clever to that point, and “waxing eloquently” fell short as humor. She didn’t deliver it jokily, and no one laughed. It’s hard to believe that she doesn’t know the idiom or that no one has ever pointed out her error, but that seems to be the case.
In any event, she plummeted in our esteem. That’s on us. Why should one mistake sink her past redemption? And who are we—writer of little note and less fortune, probably committing solecisms daily by the dozen—to judge a famous, rich, and talented novelist for flawed diction, when Shakespeare can write, with impunity, “This was the most unkindest cut of all”?
Woman of mystery wannabe
We are not proud of it, but after ten minutes we gave in to our pique and slipped out of the lecture. Feeling peevish, and peckish (certainly not peckishly) as well, we walked downtown, hoping to find a coffee shop still open at 8:30. We’d almost given up after eight blocks, having passed but one open establishment—a steak house—and the venerable King Fong, closed for renovation.
But we were in luck. We found not just a coffee shop but a Jamaican coffee shop, owned and operated by a Jamaican individual who had a charming manner—eager to please but not obsequious—and whose very speech was song. We wanted to adore his coffee; if only goodwill could have infused the éclair with moistness. No matter. It was the sort of place we would have loved dress up for—in floppy hat and flowing skirt—to waltz into, a bit mysteriously, as if we had an assignation, but perhaps not… to bide a wee and read the Christian Science Monitor, make longhand notes in a lovely parchment journal about our fellow javaphiles… and why, indeed should we not? As Kurt Vonnegut confides in Mother Night, “You are what you pretend to be.”
 An editor of a respected business journal warns against starting sentences with “I”—not the letter but rather the word. Evidently it smacks of narcissism. We are testing an alternative herein.
 We might adopt that as our campaign slogan when we run for public office: Mary Campbell, Committing Solecisms Daily by the Dozen, for president. Some will vote for us; others will wonder how a self-confessed grammar predator expects to garner a single vote. (We just broke another compositional rule: No footnote numbers midsentence.)
 Paragraphs are not to be commenced with But, according to the same editor. Goodness me! The number of words with which it is permissible to begin paragraphs has shrunk to 171,476. We should establish a committee to advocate for the preservation of freedom with regard to paragraph-starters.
SO ANYWAYS, HOW GOOD DO YOU PRONOUNCIATE THESE WORDS?
I often err (which rhymes with her).
I’ve said re-PRIZE and re-OCCUR
and of-TEN and ho-MOG-en-us.
I’ve even been a CHAUVINIST.
So ANYWAYS, I’m over it.
detritus (n)—waste material or rubbish, especially left after a particular event (Cambridge Dictionary)
A few months ago I discovered that I’d been pronouncing detritus incorrectly all my life. That’s a small exaggeration; I probably didn’t use the word at all before high school. I doubt that I ever complained to Mom that my brother had ransacked my dresser drawers and left detritus in the wake of his illegal search. If he had done so, I wouldn’t have noticed. My bedroom was a monument to detritus. My mom dealt cleverly with the pile of rubbish that was my room; she closed the door. Mom was detritus-prone herself.
I listen to numerous podcasts, and I had heard a podcaster pronounce detritus as DET-rit-us, rhyming more or less with “rest of us.” I’ve always said duh-TRY-tuss, as if it were an inflammatory disease: appendicitis, colitis, detritus. I’ve even written poems in which I rhymed detritus with something, as in
“The light is bright on my de-TRY-tritus.”
Was I going to have to change it to “…upset about my DET-rit-us”?
Today I googled detritus, and it turns out I was right all along. Duh-TRY-tuss it is. I’ll sleep better tonight.
TO AIR IS HUMAN
English-speakers are forever mispronouncing things, especially if they (the English-speakers) read a lot. It’s bad enough that British and American pronunciations often differ for no good reason. But the notoriously complex English-language pronunciation issue is rooted in the history of English and its many borrowings from other languages. I treasure English for its eclectic origins, but they leave us with spellings that bear little relationship to pronunciation, as in through. Consider height and weight, chattel (pronounced CHAT-tle) and Mattel. If you encounter a printed word but never hear it spoken, you’re likely to pronounce it phonetically, or as nearly so as you can manage.
When my daughter, Marian, was nine or ten years old, we were discussing her newest Nancy Drew book, The Clue of the Broken Locket (1934), and the characters therein—Nancy herself, of course, as well as Nancy’s father (eminent attorney Carson Drew), her chums (Bess Marvin and George Fayne), her sweetie pie (Ned Nickerson), the Drew family housekeeper (Hannah Gruen), and, in this book, someone called Gladys—which, as Marian pronounced it, rhymed with ladies. Of course it did. We’d all pronounce it that way if we’d never met a Gladys or watched an episode of the television show Bewitched featuring Samantha’s nosy neighbor, Gladys Kravitz. Coming across the name in a book, you’re not likely to “hear” GLAD-iss in your mind, but rather GLADE-eez or, at best, GLAD-eez.
I don’t speak of “correct” pronunciation, since the English language is fluid and “correctness” changes from day to day. Moreover, most dictionaries no longer judge the speaking habits of their users, preferring to be descriptive rather than prescriptive.* Twenty or thirty years ago, dictionaries gave the “correct” pronunciation first, followed by less-respectable alternatives. Now they offer pronunciation possibilities nonjudgmentally, although the standard (read “correct”) pronunciation usually appears first.
If you want prescriptive advice on pronunciation, the best source I know of is Charles Harrington Elster’s delightful book There Is No Zoo in Zoology (which has been incorporated into The Big Book of Beastly Mispronunciations—The Complete Opinionated Guide). From the title alone, you learn that (a) zoo-OLL-uh-jee is just plain wrong and (b) Elster’s book will tell you how and why to say it (and hundreds of other words) right. (It’s zoe-OLL-uh-jee, with a long O in the first syllable.) As useful as the book is, you’ll be dismayed to find that you’ve been mispronouncing two-thirds of your vocabulary for your entire adult life. Still, I heartily recommend Mr. Elster’s books and website.
If you want a dictionary that guides rather than merely informs you about pronunciation, you’ll appreciate online audio guides. Google the word and hear the disembodied official internet voice, which offers only one pronunciation. Not all the online guides agree, however, as in the case of err.
IF YOU CAN BE ENVELOPED, CAN YOU BE MAILED?
Abused, misused, misunderstood
SHORT-LIVED (LONG-LIVED)—The I is long; lived rhymes with hived.
The pronunciation (-laɪvd) is etymologically correct since the compound is derived from the noun life, rather than from the verb live. But the pronunciation (-lɪvd) is by now so common that it cannot be considered an error. In the most recent survey 43 percent of the Usage Panel preferred (-lɪvd), 39 percent preferred (-laɪvd), and 18 percent found both pronunciations equally acceptable. English Language & Usage Stack Exchange
KUDOS—This much-abused word has strayed a great distance from its original pronunciation and usage. Usually pronounced KOO-doze and treated as plural in the U.S.—though there’s no such thing as one KOO-doe—It means “the praise and respect that you get from other people because of something that you achieved” (Cambridge Dictionary). Some Americans, most Brits, and Charles Harrington Elster say KYOO-doss.
The noun kudos was originally a mass noun, but it is now sometimes treated as a plural noun,… contrary to the original Greek κῦδος (kûdos), which is a singular noun. The American pronunciation implies this plural usage, which many authorities nevertheless consider erroneous. Wiktionary
CLOTHES—The items that hang in my closet are cobwebs. The stuff behind them is what I refer to as my close—shirts, pants, dresses, and so forth. Clothes, with the th combination pronounced, is difficult to say. I suspect that one day soon, CLOZE will be the standard pronunciation. That day, sadly, has not yet arrived.
ARCTIC—Even experienced network news announcers say ARTIC and ANTARTIC, and they’re wrong, wrong, wrong. It seems to me there’s even a beverage called something like ARTIC BLAST. Let’s agree to get this one right and unite behind ARCTIC.
HISTORY, HISTORICAL, preceded by A or AN—It’s a mystery to me that so many people drop the H when saying historical and precede it with the article AN, as in “an historical account.” There’s no accounting for what the British do, but in the U.S., the H in history (and historic, historical, and so forth) is sounded, not silent as in honor and heir, and the construction “an historical” is incorrect.
ENVELOP, ENVELOPED—Letters placed in envelopes are not thereby enveloped. The verb envelop (enn-VELL-up) means to wrap, enclose, or shroud: “The landscape was enveloped in fog.” In the past few weeks, I’ve heard two Hay House authors on hayhouseradio.com talk about being enveloped in a sense of peace, which might have been worth hearing about had they not said ENN-vuh-loped.
SO YOU THINK HE’S A CHAUVINIST? Here, so and chauvinist are usage issues, not pronunciation ones, but they bug me so I’m slipping them into this discussion. Why, over the last six or eight months, have I begun hearing so many people introduce a sentence with the superfluous word so? It’s common in radio interviews:
INTERVIEWER: Dr. Mathers, why did you resign from your position at the university?
MATHERS: So… my department head was a chauvinist S.O.B. who treated women like the lower orders of rodents… worse, even… like fleas on rodents.
INTERVIEWER: Dr. Mathers, are you saying that your department head was aggressively and blindly patriotic, especially devoted to military glory, as the word chauvinist suggests? Or do you mean that he was a male chauvinist, aggressively and blindly sexist in his dealings with woman faculty members?
MATHERS: So… yeah, that. What you said.
anyway not anyways
cardsharp not card shark
cavalry not Calvary
champ (not chomp) at the bit
cohabit not cohabitate
diphtheria not diptheria
espresso not expresso
February not Febuary
for all intents and (not intensive) purposes
forte not fort
herbal not erbal
homogeneous (5 syllables) not homogenous
lambaste not lambast
mauve (rhymes with rove)
mischievous (3 syllables) not mischevious (4 syllables)
often (rhymes with soften; the T is silent)
orient not orientate
potable (rhymes with notable)
recur not reoccur
reprise (second syllable rhymes with ease), not reprize
spayed not spaded
spit and (not spitting) image
suite not suit
supposedly not supposably
utmost not upmost
verbiage (3 syllables) not verbage (2 syllables)
*The truth of the matter is that today virtually all English language dictionaries are descriptive. The editors will usually say that they are simply recording the language and how its words are used and spelled. True, there may be some guidance. For example, most Merriam-Webster dictionaries will note if certain words are deemed nonstandard or offensive by most users; however, the words are still included. Of modern dictionaries, only the Funk and Wagnall’s contains a certain amount of prescriptive advice. All the major dictionary publishers – Merriam-Webster, Times-Mirror, World Book, and Funk and Wagnall’s – will tell you that they are primarily descriptive. Englishplus.com
A podium is something you stand on
THE ENGLISH LANGUAGE NEVER STOPS EVOLVING. Since I’ve learned to accept change as an inevitable and even beautiful quality of our language, I’ve become more flexible, less rigid, and more adventurous about choosing and arranging words on a page. Right. When pigs fly and hell freezes over. I hate change. If it were up to me, the Dodgers would still be in Brooklyn.
Change is sometimes necessary, even beneficial. I get that. Pantyhose had to go. Lard in the cupboard, lead in the gasoline… I don’t miss them. But the English language is, for the most part, nontoxic and fat-free, so let’s not mess with it more than we have to.
There must be a better way to write respectfully than this:
Someone’s at the door. I wonder what they want.
Someone’s at the door. I wonder what he or she wants.
The latter is “correct,” but neither is going to win a prize for dialogue. No one talks like that, just as no one answers the question “Who’s there?” by saying—correctly—“It is I.” We can be forgiven for colloquial speech that breaks the rules… until it descends into grunts and snarls. I’ve been embarrased by my own mumbles lately during the half-block stroll to the grocery store. I usually pass other pedestrians, and one of us says something on the order of
“How ya’ doin’?”
Understanding that this isn’t a request for an organ-by-organ medical status report, I used to answer…
I’m doing well, thanks. How are you?
…but lately what comes out of my mouth sounds more like this:
Doin’ gud. H’boucherself?
Speaking is work…
…a highly complex motor task that involves approximately 100 orofacial, laryngeal, pharyngeal, and respiratory muscles… [http://en.wikipedia.org/wiki/Speech_science]
and we sometimes take short cuts. Over time, our sloppy speech becomes formalized in the language. What’s a contraction, after all, except sanctioned laziness? It’s easier to say “didn’t” than “did not,” and even easier to say “di’n’t,” dropping that second pesky plosive altogether.
This is nothing new. The word lord, for example, comes from the Old English hlāfweard with a meaning similar to “breadwinner.” I learned this from Kevin Stroud on his excellent History of English Podcast (mandatory listening for anyone who’s interested in English-language and British history). Kevin explains how our language evolves to reflect the way we actually speak. A word’s journey from its earliest appearance—quite possibly among the ancient Indo-European people long before there was an alphabet—to its current spelling, pronunciation, and usage, can be a fascinating tale. When you know the word’s story, you don’t like to see it misused.
Consider, for example, the beleaguered podium. If ever a word deserved mercy, surely podium is that word. It’s expected to do not only its own job—that is, to be the word associated with a low platform of the type shown in Fig. B (above right)—but also the job of another word, which was assigned hundreds of years ago to objects such as that shown in Fig. A (above left); and that word is lectern.
- A podium is a platform upon which a speaker stands.
- A lectern is the tall desk or stand, usually with a slanted top, that holds the speaker’s books, notes, sermons, and so forth.
- You stand on a podium and behind a lectern.
As a rule, using the wrong word interferes with communication, but that’s not the case here. If I ask, say, the Scratchnsniff triplets to come on stage by summoning them “to the podium,” and there is no podium—only a lectern like the one shown in Fig. A— the siblings will cope. They won’t get lost or wander around looking for the podium that wasn’t where it was supposed to be. Why? Like 58.17 percent of the English-speaking population, they think that podium and lectern are synonymous.
I stand by podium for a different reason—its etymology. Podium is related to the Greek word pous “foot.” Octopus has the same root. Did you know that the plural of octopus is octopodes (if you are Greek)? Pous evolved from the Proto-Indo-European root ped– “foot” c. 2000-4000 BCE.
Thus, podium has something like five or six thousand years of history to its credit, as summarized below:
The Life & Times of Podium
- Starts out as ped- with the Indo-Europeans, c. 2000-4000 BCE.
- Evolves as pous among the Greeks, arty souls who refined it as podion, meaning “foot of a vase.”
- Borrowed into Latin, where the Romans fiddled with it and came up with podium “raised platform.”
- Word and meaning arrived intact in English, late 17th or early 18th century—not the typical way for Latin words to enter the language. Most of our Latin vocabulary came through the French language after the Norman French invaded England in 1066. The army—led by the Duke of Normandy (soon to be King William I of England)—mopped the floor with weary English foot soldiers at the Battle of Hastings in 1066. In the aftermath, Normans and their families arrived in great waves, bringing their culture, their customs, and their language. Obviously, podium wasn’t part of the initial onslaught.
What, precisely, do a podium and a foot have in common? I guess I had assumed, without giving it much thought, that the podium got its name because people stand on it. You know, with their feet. No; that’s not it at all—though it can be a useful memory trick. The “foot” in this equation isn’t a human foot but an architectural or artistic one, as illustrated in the photo labeled “foot of a vase” below. As the Romans apparently saw it, a podium was analogous to the foot of a vase (Greek podion).
Got an extra podium? Maybe you should take out an ad: Podiums for sale. You could use podia instead, but trust me, people will smirk when your back is turned. Me, I’m a Nebraska girl. I don’t say celli or concerti or podia or gymnasia, I don’t eat raw fish, and I buy my jewelry on eBay.
Where do you stand?
Unlike podium, the word lectern—which originally meant a reading desk in a medieval church—came into Middle English “through channels,” you might say, if you don’t mind perpetrating a vicious pun that relies on a clumsy reference to the English Channel , which separates France and England. In any case, lectern came through Old French letrun, from medieval Latin lectrum, from legere “to read.”
Now, if you can remember that we read at a lectern and stand on a podium, my work here is done.
Is lectern lost forever?
I was a fan of Allison Janney in the role of C. J. Cregg on NBC television’s The West Wing. She was spectacular, and I’m sure she didn’t mean to stomp on my heart every time she spoke of the “podium” in the White House press-briefing room, night after night, week after week, for seven agonizing years. As White House press secretary, C. J. spent a great deal of time at, behind, beside, or otherwise in the aura of the miscalled “podium.”
During 155 episodes in seven seasons, certainly hundreds of people, if not thousands, had to have noticed the solecism: There’s a lectern on your television screen for all the world to see, and a star of the show is calling it a podium. No doubt many viewers contacted the show. But the lectern remained a “podium” throughout the program’s run, and that means one of two things:
(a) Nobody in the real White House ever referred to the thing as a lectern, or
(b) lectern is yesterday’s soggy Rice Krispies. It’s been written out of The West Wing and drop-kicked out of our lives. If it were a lame horse it would be taken out and shot, and We the Righteous are going to have to suck it up… unless…
Hey! You guys wouldn’t want to join me in putting our collective foot down and making a stand for standing on (not at or behind) a podium, would you? Because if you would, send me an email (firstname.lastname@example.org) for a list of public officials and prominent educators to contact, starting with the Secretary-General of the United Nations. The man conducts his entire life behind a lectern.
Okay, maybe it’s not a global hot button, but the podium | lectern controversy isn’t just about little me with a bug in my brassiere. The experts and scholars are unanimous in their assent: A lectern isn’t a podium and it’s not okay to call it one. Here’s a heartening comment from a Toastmaster, followed by another from an authority on public speaking:
A podium is a platform upon which a speaker stands while speaking. If that sounds like a stage, you are correct. It is like a stage. A podium can have a lectern on it, [as]… can a stage. You could have a lectern on a podium on a stage. A speaker stands on a podium. —Message Masters Toastmasters
Many people confuse the words lectern, podium, rostrum, and dais. A lectern is the slant-topped high desk that you as the speaker stand behind and use when reading your presentation notes. It can be placed in the middle of the stage or off to one side. To remember lectern, think lecture.
A podium is a raised platform on which a speaker stands during a presentation. To remember podium think podiatrist – which is a foot doctor. You will want to use a podium, especially if you are short or there are more than three rows of chairs, to ensure everyone in the back of the room can see you. Standing on a platform will also dramatically increase your vocal projection. A rostrum or dais is a larger platform or stage on which a head table might be placed during a formal dinner.
More voices for the good and the true
The Daily Chronicle, “Never again confuse lectern for a podium”
Mannerofspeaking.org, “Podium vs. Lectern”
Dailywritingtips.com, “Podium vs. Lectern”
…and here’s the megasite for all things presentation-related:
Does it really matter?
No and yes. If it were only a matter of clarity, using podium instead of lectern might actually be the better choice. If you ask for a podium, you’ll probably get a lectern. If you ask for a lectern, you’ll probably get a blank stare.
From the Daily Chronicle story cited above…
Just before a speaking engagement at a hotel several years ago, Mose asked a hotel staff member for a lectern, describing its intended use: to hold notes for the presentation. “You mean a podium?” the young man asked. “No, a lectern,” Mose insisted, though he should have known better. The man came back a few minutes later with a lectern, which he continued to refer to as a “podium.”
I won’t give up, but I’m not optimistic. When the White House falls, can the entire free world be far behind? Maybe I’ll reach out to the Lectern people, see if they’re interested in a combination fundraiser | podium/lectern-awareness event: Pennies for Podiums… in the U. K., maybe Pounds for Podiums and, um, Lbs. for Lecterns? Meanwhile, if you’re looking for me, I shouldn’t be hard to spot; I’ll be (sigh) the Last Man Standing.
July 23, 2016
Find sample blogs on a gazillion topics at Alpha Inventions
I read this afternoon — in a novel, by a usually careful or at least painstakingly edited author (Nora Roberts, writing as J.D. Robb) — about how the heroine’s strategy wasn’t succeeding so she decided to try a different tact.
I can’t even imagine what that would look like. Pretending she is British, perhaps? Or emulating Charlie Chan?
Homophones are words that sound alike but that have different meanings and origins — poor, pour, and pore, for example. (Depending on where you were raised, you might pronounce these words slightly differently from one another. Poor might sound a bit like POO-er, and the O sound in pore might be more rounded than that in pour.)
In a sentence on studying the Bible, in the book Prayer, Faith, and Healing: Cure Your Body, Heal Your Mind, and Restore Your Soul, the authors—Kenneth Winston Caine and Brian Paul Kaufman—recommend that we “ponder …[the Bible], study it, and really pour over it [emphasis added].”
It’s easy to use the wrong member of a set of homophones because sometimes the incorrect word seems to make more sense than the correct one. I thought for years that a sound bite was a sound byte.
* * *
Publish your “little book” in an easy little way
The only thing we have to fear is fear itself. -Franklin Delano Roosevelt
crisis: c.1425, from Gk. krisis “turning point in a disease” (used as such by Hippocrates and Galen), lit. “judgment,” from krinein “to separate, decide, judge,” from PIE base *krei- “to sieve, discriminate, distinguish” (cf. Gk. krinesthai “to explain;” O.E. hriddel “sieve;” L. cribrum “sieve,” crimen “judgment, crime,” cernere (pp. cretus) “to sift, separate;” O.Ir. criathar, O.Welsh cruitr “sieve;” M.Ir. crich “border, boundary”). Transferred non-medical sense is 1627. http://www.etymonline.com/index.php?term=crisis
A Time to Decide
When my older son, Jack, was 3, he barrelled through an enormous plate-glass window – more of a wall, actually – and emerged unscratched, though we were in Arizona and it was 104 degrees and he was barefoot and wearing shorts and a T-shirt. About two years later, on a balmy Sunday afternoon in April, he had a bit of a tantrum and launched a fist through a window in our dining room and cut his wrist. There was quite a lot of blood, so I called Dr. Cherven at home – you could do that, in Hutchinson, Kansas, in those days – and Dr. Cherven instructed us to meet him at the hospital.
Both Jack (the window-shattering culprit) and I were terrified, though the hospital was only a five-minute drive from our house. A nurse in the emergency room confirmed that the cut was crisis-worthy, and moments later Dr. Cherven strode in, wearing jeans and a tattered plaid shirt – he had been replacing storm windows with screens in his Victorian house. He scrubbed his hands, picked up Jack’s wrist, wiped away the blood, and uncovered a superficial cut hardly worthy of a Band-Aid. Crisis diffused. More accurately, crisis unmasked. The child had skin like new rubber.
Parents of active and fearless children learn to be cautious in their use of words such as crisis and emergency. These are volatile terms. When you apply them to situations, particularly those involving loved ones, they are stress-inducing, to say the least. Blood rushes to the heart, which starts pumping like a jogger in subzero temperatures.
What you need to do then is, you need to breathe evenly and focus on your toes. Seriously. This reminds your body that it has components other than the heart. Merely paying attention to your toes causes blood to flow there, your heart stops pounding in your ears, and you can make a rational decision.
The origin of the word crisis suggests “time to make a decision,” not “time to panic.” With apologies to anyone who is without genuine necessities due to the current financial climate – food, shelter, medical care, and so forth – an unstable economy is not cause for panic.
I am reminded of Dorothy L. Sayers‘s mystery novel The Unpleasantness at the Bellona Club, in which one of the club’s members observes, “I say, you fellows, … here’s another unpleasantness. Penberthy’s shot himself in the library. People ought to have more consideration for the members.” Lord Peter Wimsey, of course, uncovers the murderer (Penberthy did not shoot himself) in his trademark quirky style, unruffled and scrupulously attired throughout.
Might I suggest that we emulate the British and adopt the practice of understatement? I wish that American journalists would do so… but then, it requires less ink (in newspapers and magazines) and less air time to say “financial crisis” than it would to say “financial unpleasantness.”